Monthly Archives: October 2020

I Am Dead Review – Staying Alive

It's common in games for death to go unexplored. When it's not used as a narrative device to motivate living characters, it's brushed aside as collateral for a game's mechanics, with few interrogating the effects of your actions. I Am Dead is nothing like that. Not only do you play as a recently deceased protagonist, but its warm and welcoming tale explores themes of what it means to leave a legacy--however big or small--on the people you shared your brief time with while alive.

Playing as former museum curator Morris Lupton and guided by his equally dead pet dog, Sparky, you explore the recent history of the fictional island of Shelmerston in search of a new guardian for the tranquil settlement. The island's dormant volcano is being kept at bay by the waning spirit of a former inhabitant, forcing Lupton to search for a replacement from a handful of other Shelmerston inhabitants that have recently found themselves in the afterlife. With the ability to explore some of the island's picturesque locations and interact with objects in ways unique to your spectral form, you slowly unearth the island's history and touching vignettes of some of its residents.

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Before being able to ask a friendly resident ghost if they're up to the task of watching over Shelmerston, you need to first learn about their lasting impact on those who are still alive. This manifests in distinct levels where you explore stories of each character through the lens of those who remember them. The devout followers of a yoga instructor who reside in a repurposed lighthouse recall the calming nature of their late leader, coloring in his complex relationship with past trauma and how it shaped his pursuit for inner peace. Another tale set in the island's bustling port town tells the tale of a blossoming romance between two youths who both discovered more about themselves when apart, which cemented their relationship further when reunited. These stories help introduce you to the would-be caretakers before you get to meet them, giving you all the context you need to understand their decision to either accept or decline the position of island custodian.

Continue Reading at GameSpot

I Am Dead Review – Staying Alive

It's common in games for death to go unexplored. When it's not used as a narrative device to motivate living characters, it's brushed aside as collateral for a game's mechanics, with few interrogating the effects of your actions. I Am Dead is nothing like that. Not only do you play as a recently deceased protagonist, but its warm and welcoming tale explores themes of what it means to leave a legacy--however big or small--on the people you shared your brief time with while alive.

Playing as former museum curator Morris Lupton and guided by his equally dead pet dog, Sparky, you explore the recent history of the fictional island of Shelmerston in search of a new guardian for the tranquil settlement. The island's dormant volcano is being kept at bay by the waning spirit of a former inhabitant, forcing Lupton to search for a replacement from a handful of other Shelmerston inhabitants that have recently found themselves in the afterlife. With the ability to explore some of the island's picturesque locations and interact with objects in ways unique to your spectral form, you slowly unearth the island's history and touching vignettes of some of its residents.

No Caption Provided
Gallery image 1Gallery image 2Gallery image 3Gallery image 4Gallery image 5Gallery image 6Gallery image 7Gallery image 8Gallery image 9Gallery image 10

Before being able to ask a friendly resident ghost if they're up to the task of watching over Shelmerston, you need to first learn about their lasting impact on those who are still alive. This manifests in distinct levels where you explore stories of each character through the lens of those who remember them. The devout followers of a yoga instructor who reside in a repurposed lighthouse recall the calming nature of their late leader, coloring in his complex relationship with past trauma and how it shaped his pursuit for inner peace. Another tale set in the island's bustling port town tells the tale of a blossoming romance between two youths who both discovered more about themselves when apart, which cemented their relationship further when reunited. These stories help introduce you to the would-be caretakers before you get to meet them, giving you all the context you need to understand their decision to either accept or decline the position of island custodian.

Continue Reading at GameSpot

Kenobi Writer Developing Space Mountain Movie for Disney

In the tradition of Disney making movies based on its attractions, next on the block is Space Mountain which will be heading to the big screen courtesy of the writer for the Obi-Wan Kenobi Star Wars series on Disney+. The Hollywood Reporter has heard that the popular Space Mountain ride at Disneyland will be turned into a movie and has hired Joby Harold to write the script. Harold has credits on Zack Snyder’s upcoming Army of the Dead as well as the Obi-Wan series on Disney+. [widget path="global/article/imagegallery" parameters="albumSlug=every-delayed-movie-due-to-coronavirus-so-far&captions=true"] Space Mountain is a popular roller coaster attraction based on Jules Verne’s 1865 novel From the Earth to the Moon. Funny enough Space Mountain was converted into a Star Wars-themed Hyperspace Mountain in 2017 that renovated the attraction with Star Wars sounds and visuals. So knowing that a current Star Wars writer is tackling a Space Mountain film adaptation is a humorous coincidence. Personally, I prefer Space Mountain over the Hyperspace variant, but to each their own. The Space Mountain movie will join a list of Disney attractions-turned-films including Pirates of the Caribbean, The Haunted Mansion, Tomorrowland, and the upcoming Jungle Cruise. [poilib element="accentDivider"] Matt T.M. Kim is a reporter for IGN. Header image via wikimidea commons.

Kenobi Writer Developing Space Mountain Movie for Disney

In the tradition of Disney making movies based on its attractions, next on the block is Space Mountain which will be heading to the big screen courtesy of the writer for the Obi-Wan Kenobi Star Wars series on Disney+. The Hollywood Reporter has heard that the popular Space Mountain ride at Disneyland will be turned into a movie and has hired Joby Harold to write the script. Harold has credits on Zack Snyder’s upcoming Army of the Dead as well as the Obi-Wan series on Disney+. [widget path="global/article/imagegallery" parameters="albumSlug=every-delayed-movie-due-to-coronavirus-so-far&captions=true"] Space Mountain is a popular roller coaster attraction based on Jules Verne’s 1865 novel From the Earth to the Moon. Funny enough Space Mountain was converted into a Star Wars-themed Hyperspace Mountain in 2017 that renovated the attraction with Star Wars sounds and visuals. So knowing that a current Star Wars writer is tackling a Space Mountain film adaptation is a humorous coincidence. Personally, I prefer Space Mountain over the Hyperspace variant, but to each their own. The Space Mountain movie will join a list of Disney attractions-turned-films including Pirates of the Caribbean, The Haunted Mansion, Tomorrowland, and the upcoming Jungle Cruise. [poilib element="accentDivider"] Matt T.M. Kim is a reporter for IGN. Header image via wikimidea commons.

Is Nintendo Adopting Apple’s iPhone Playbook?

Welcome back to Game Scoop!, IGN's weekly video game podcast. This week your Omega Cops -- Daemon Hatfield, Sam Claiborn, Justin Davis, and Seth Macy -- are discussing the future of Nintendo consoles. They also cover Super Mario 35, Star Wars Squadrons, The Last of Us Part 2, Rambo in Mortal Kombat, and so much more. Watch the video above or hit the link below to your favorite podcast service. Listen on: Apple Podcasts YouTube Spotify Stitcher   Find previous episodes here!

Is Nintendo Adopting Apple’s iPhone Playbook?

Welcome back to Game Scoop!, IGN's weekly video game podcast. This week your Omega Cops -- Daemon Hatfield, Sam Claiborn, Justin Davis, and Seth Macy -- are discussing the future of Nintendo consoles. They also cover Super Mario 35, Star Wars Squadrons, The Last of Us Part 2, Rambo in Mortal Kombat, and so much more. Watch the video above or hit the link below to your favorite podcast service. Listen on: Apple Podcasts YouTube Spotify Stitcher   Find previous episodes here!

Stephen King’s The Stand Gets Apocalyptic Trailer and New Images

At NYCC 2020, CBS All Access released the official trailer for its adaptation of Stephen King's The Stand, which will premiere on the streamer on December 17, 2020. Here's how CBS All Access describes the miniseries: "The Stand is Stephen King’s apocalyptic vision of a world decimated by plague and embroiled in an elemental struggle between good and evil. The fate of mankind rests on the frail shoulders of the 108-year-old Mother Abagail (Whoopi Goldberg) and a handful of survivors. Their worst nightmares are embodied in a man with a lethal smile and unspeakable powers: Randall Flagg (Alexander Skarsgård), the Dark Man." You can check out the trailer if you follow this link, or in the video below: Joining Skarsgård and Goldberg on this apocalyptic journey is an impressive ensemble cast, including James Marsden as Stu Redman, Odessa Young as Frannie Goldsmith, Jovan Adepo as Larry Underwood, Amber Heard as Nadine Cross, Owen Teague as Harold Lauder, Henry Zaga as Nick Andros, Brad William Henke as Tom Cullen, Irene Bedard as Ray Bretner, Nat Wolff as Lloyd Henreid, Eion Bailey as Weizak, Heather Graham as Rita Blakemoor, Katherine McNamara as Julie Lawry, Fiona Dourif as Ratwoman, Natalie Martinez as Dayna Jurgens, Hamish Linklater as Dr. Jim Ellis, Daniel Sunjata as Cobb and Greg Kinnear as Glen Bateman. During the panel, the streamer also unveiled some new episodic images that you can check out in the gallery below: [widget path="global/article/imagegallery" parameters="albumSlug=stephen-kings-the-stand-season-1-gallery&captions=true"] The 9-episode limited series event will premiere on CBS All Access on Thursday, December 17, with new episodes dropping weekly every Thursday until the series finale, which features a brand new finale storyline written by King himself). [poilib element="accentDivider"] David Griffin still watches DuckTales in his pajamas with a cereal bowl in hand. He's also the TV Editor for IGN. Say hi on Twitter.

Stephen King’s The Stand Gets Apocalyptic Trailer and New Images

At NYCC 2020, CBS All Access released the official trailer for its adaptation of Stephen King's The Stand, which will premiere on the streamer on December 17, 2020. Here's how CBS All Access describes the miniseries: "The Stand is Stephen King’s apocalyptic vision of a world decimated by plague and embroiled in an elemental struggle between good and evil. The fate of mankind rests on the frail shoulders of the 108-year-old Mother Abagail (Whoopi Goldberg) and a handful of survivors. Their worst nightmares are embodied in a man with a lethal smile and unspeakable powers: Randall Flagg (Alexander Skarsgård), the Dark Man." You can check out the trailer if you follow this link, or in the video below: Joining Skarsgård and Goldberg on this apocalyptic journey is an impressive ensemble cast, including James Marsden as Stu Redman, Odessa Young as Frannie Goldsmith, Jovan Adepo as Larry Underwood, Amber Heard as Nadine Cross, Owen Teague as Harold Lauder, Henry Zaga as Nick Andros, Brad William Henke as Tom Cullen, Irene Bedard as Ray Bretner, Nat Wolff as Lloyd Henreid, Eion Bailey as Weizak, Heather Graham as Rita Blakemoor, Katherine McNamara as Julie Lawry, Fiona Dourif as Ratwoman, Natalie Martinez as Dayna Jurgens, Hamish Linklater as Dr. Jim Ellis, Daniel Sunjata as Cobb and Greg Kinnear as Glen Bateman. During the panel, the streamer also unveiled some new episodic images that you can check out in the gallery below: [widget path="global/article/imagegallery" parameters="albumSlug=stephen-kings-the-stand-season-1-gallery&captions=true"] The 9-episode limited series event will premiere on CBS All Access on Thursday, December 17, with new episodes dropping weekly every Thursday until the series finale, which features a brand new finale storyline written by King himself). [poilib element="accentDivider"] David Griffin still watches DuckTales in his pajamas with a cereal bowl in hand. He's also the TV Editor for IGN. Say hi on Twitter.

Why Dark Nights: Death Metal Won’t Reboot the DC Universe

DC is currently in the midst of Dark Nights: Death Metal, a massive crossover that serves as the climax of writer Scott Snyder's work on both Batman and Justice League. But even though DC has billed this story as its first "Anti-Crisis," fans shouldn't expect Death Metal to rewrite the history or continuity of the DC Universe in the same way past Crisis stories have. That was the big takeaway from DC's "In Conversation With Scott Snyder and James Tynion IV" panel at NYCC 2020. As the two friends and creators reflected on their respective DC careers, Snyder made it clear that one of the central themes of Death Metal is Wonder Woman's realization that the past matters and shouldn't be ignored or overwritten. That's the crux of the crossover's tagline "It all matters." That theme is at the heart of Death Metal #4 (due out on Wednesday, October 14), as Diana leads her friends on a quest to revisit the events of 1985's Crisis on Infinite Earths, 2005's Infinite Crisis and 2008's Final Crisis and gather the Crisis energy needed to repair the DC multiverse. [widget path="global/article/imagegallery" parameters="albumSlug=a-history-of-dcs-crisis-comics&captions=true"] Snyder said, "What Wonder Woman really comes to realize... going through this battle and seeing these horrible Crises where the villains have won and seeing what they might become, is that at the end of the day they have to reckon with the whole history of the DCU. Every story they've been through has happened, and the only way to move forward is to not only accept that, but have that as their arsenal to fight with. What that means is that, on the other side of that battle, I'm not going to take that power to erase my enemies or erase what I don't want you to look at and start over in a brand new way that makes me comfortable. Instead, what I'm going to do is say that everything happened and everything's true, and what I need to do going forward is accept all of that, even if you as a reader or as a person of Earth within the story looking up to the heroes reject me and find new heroes. That, to me, is a love letter to all of DC Comics." Snyder continued, "All of these great stories that you've grown up with, whether you love them or hate them - they all matter. They all happened, They're all real. They're all part of this epic, generational story. And at the end, what we do is say is all of it was material, all of it was consequential. And now, whatever DC is going to be going forward, both narratively within the story and characters, and as a company, because there have been a lot of changes as well - we're excited for that, and we welcome it with open arms, and we hope that it's going to be even better than what it was before. You can only move forward with that kind of faith if you're a comic fan and you look up to superheroes. While it remains to be seen how DC will change course in 2021 in the wake of widespread layoffs and an editorial regime change, it's clear the company isn't using Death Metal as a foundation for another New 52-style reboot. Snyder's comments mesh with Jim Lee's recent confirmation that DC's long-rumored 5G reboot is officially dead. DC won't be overhauling its 80-year history or attempting another New 52-style reboot. But that doesn't necessarily mean big changes aren't coming in early 2021. We have some ideas for how DC could transform itself in the months to come. [ignvideo url="https://www.ign.com/videos/2020/06/26/joker-war-why-batmans-worst-enemy-is-finally-ready-to-finish-their-game"] [poilib element="accentDivider"] Jesse is a mild-mannered staff writer for IGN. Allow him to lend a machete to your intellectual thicket by following @jschedeen on Twitter.

Why Dark Nights: Death Metal Won’t Reboot the DC Universe

DC is currently in the midst of Dark Nights: Death Metal, a massive crossover that serves as the climax of writer Scott Snyder's work on both Batman and Justice League. But even though DC has billed this story as its first "Anti-Crisis," fans shouldn't expect Death Metal to rewrite the history or continuity of the DC Universe in the same way past Crisis stories have. That was the big takeaway from DC's "In Conversation With Scott Snyder and James Tynion IV" panel at NYCC 2020. As the two friends and creators reflected on their respective DC careers, Snyder made it clear that one of the central themes of Death Metal is Wonder Woman's realization that the past matters and shouldn't be ignored or overwritten. That's the crux of the crossover's tagline "It all matters." That theme is at the heart of Death Metal #4 (due out on Wednesday, October 14), as Diana leads her friends on a quest to revisit the events of 1985's Crisis on Infinite Earths, 2005's Infinite Crisis and 2008's Final Crisis and gather the Crisis energy needed to repair the DC multiverse. [widget path="global/article/imagegallery" parameters="albumSlug=a-history-of-dcs-crisis-comics&captions=true"] Snyder said, "What Wonder Woman really comes to realize... going through this battle and seeing these horrible Crises where the villains have won and seeing what they might become, is that at the end of the day they have to reckon with the whole history of the DCU. Every story they've been through has happened, and the only way to move forward is to not only accept that, but have that as their arsenal to fight with. What that means is that, on the other side of that battle, I'm not going to take that power to erase my enemies or erase what I don't want you to look at and start over in a brand new way that makes me comfortable. Instead, what I'm going to do is say that everything happened and everything's true, and what I need to do going forward is accept all of that, even if you as a reader or as a person of Earth within the story looking up to the heroes reject me and find new heroes. That, to me, is a love letter to all of DC Comics." Snyder continued, "All of these great stories that you've grown up with, whether you love them or hate them - they all matter. They all happened, They're all real. They're all part of this epic, generational story. And at the end, what we do is say is all of it was material, all of it was consequential. And now, whatever DC is going to be going forward, both narratively within the story and characters, and as a company, because there have been a lot of changes as well - we're excited for that, and we welcome it with open arms, and we hope that it's going to be even better than what it was before. You can only move forward with that kind of faith if you're a comic fan and you look up to superheroes. While it remains to be seen how DC will change course in 2021 in the wake of widespread layoffs and an editorial regime change, it's clear the company isn't using Death Metal as a foundation for another New 52-style reboot. Snyder's comments mesh with Jim Lee's recent confirmation that DC's long-rumored 5G reboot is officially dead. DC won't be overhauling its 80-year history or attempting another New 52-style reboot. But that doesn't necessarily mean big changes aren't coming in early 2021. We have some ideas for how DC could transform itself in the months to come. [ignvideo url="https://www.ign.com/videos/2020/06/26/joker-war-why-batmans-worst-enemy-is-finally-ready-to-finish-their-game"] [poilib element="accentDivider"] Jesse is a mild-mannered staff writer for IGN. Allow him to lend a machete to your intellectual thicket by following @jschedeen on Twitter.