The Marvel Cinematic Universe is full of great characters, from Iron Man to Guardians of the Galaxy to the devil of Hell’s Kitchen.

But who are the best of the best for Marvel, on the big screen and the small? Here are our picks for the Top 10 Heroes of the MCU…

Yep, he made our Top 10 already. While we’ve only spent a short amount of time with the MCU version of the webhead, his appearance in Captain America: Civil War has already re-energized the Marvel movies. And we didn’t even realize they needed to be re-energized. Tom Holland’s young, fun, perfectly designed Spidey nails all the things that we love about the character, and we can’t wait to see more of him. Plus, his interactions with the other MCU heroes in Civil War is pretty much perfect.

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Call of Duty: Black Ops III's second DLC pack, Eclipse, is available now on Xbox One. The add-on content will include four new multiplayer maps, as well as a new entry in the Zombies storyline.

The Eclipse DLC is included with the Call of Duty: Black Ops III season pass, or available separately for $15. According to Charlie Intel, Eclipse will hit PC later today.

The four new maps being introduced today are Spire, a "futuristic" airport terminal in the clouds; Rift, a "harsh futuristic military complex;" Knockout, a "Shaolin temple" with a "retro twist;" and Verge, a reimagining of classic Call of Duty: World at War map Banzai.

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Suicide Squad actor Jared Leto had a "blast" playing the Joker, despite having to shave his eyebrows off for the second film in a row.

Getting the call to play the Joker was "terrifying and exciting" for Leto. "It was a real honor to get asked to play the part," he added. "These characters are so special to people and I have a lot of respect to that."

During an appearance on The Ellen Degeneres Show, the actor told Degeneres filming Suicide Squad was "the most fun

ever had on a film." And it sure sounds like he did; back in April, it was reported Leto sent a bunch of disturbing gifts to his co-stars.

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Big things are brewing at both Marvel and DC right now. This week we saw Marvel gear up for Civil War II with the release of the #0 prologue issue and the beginning of a tie-in storyline in All-New Wolverine. DC wrapped up several more long-running New 52 titles and continued the "Final Days of Superman" crossover in preparation for the beginning of DC Rebirth next week. But for cartoon lovers, the biggest release of the week was probably the Hanna-Barbera team-up book Future Quest #1. Elsewhere, Image delivered a stellar new chapter of Invincible and Dark Horse kicked off Mae, a captivating new book from writer/artist Gene Ha.

Scroll down to check out our reviews for these and various other new comic book releases, and be sure to let us know your favorite books of the week in the comments below.

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Screeching gears, rhythmic boot steps, and the soft crunch of fresh snow. These were the first notes of my invasion. I sought the Dwarfen capital of Karak Varn. The Dwarfs, hardy and resilient though they may be, were a thorn for my new allies, the green-skinned Orcs and goblins. I held my siege for weeks, and while my foes’ numbers dwindled, mine grew. After each clash, I wrenched the newly dead from the earth and added them to my fiendish, Vampire hordes. Siege engines ready, and carried yon by fresh Dwarfen zombies, I steeled my undead warriors for the final assault.

When the battle started, I surrounded my enemy's commander with Vargheists--monstrous, man-eating bats--and sent battering rams for the gates. But that wasn't enough, not nearly. Dwarfs are hardy. They rarely break ranks or flee in terror no matter how ferocious their opponent. I needed more. When the gates broke, I rushed in with ethereal cavalry, immune to normal weapons and equipped with scythes that bypassed even the sturdiest armor. In minutes, my ghastly corps had torn through Karak Varn's defenders. This was Warhammer, and this was Total War.

The Total War series has, until now, balanced historical realism with strategic play. During campaigns (which you can play either alone or with others) you’ll refine your statecraft, research technology, and manage your economy to keep your armies well-supplied. All this takes place on a continent scaling political map detailing borders, important landmarks and troop detachments. Should two opposing forces meet, the game will pull in to show the skirmish. Here, you’ll micromanage movement and use battlefield tactics to out maneuver foes. Your decisions and political position throughout the game would have major effects on the sorts of troops and supplies you could field for any given battle. Warhammer, however, has always been about tactics, and for more than 30 years, it's been one of the most popular fantasy settings around, with a rich lore and vibrant tournament scene for its tabletop miniature game. Mixing the two raised a lot of questions about how Creative Assembly's attentiveness to historical detail would work with vampires, demons, and magic. But, the result is a sight to behold. Not only is it one of the most faithful adaptations of Warhammer's mythos, it is also far and away the best Total War has ever been.

That is, in no small part, due to the natural marriage of Warhammer as a setting and Total War's gameplay as a foundation. While troop movements and formations have always been an essential part of Total War, you were always playing with human beings as your pawns. That foundation in real-world history kept the series somewhat limited. Yes, it was a joy to see elite Celtic warriors square off against Caesar's legions, but there are only so many ways those fights can go.

Warhammer shakes that up in a big way. With the addition of irresponsibly large cannons, apparitions, gyrocopters, and powerful spells, the amount of time you need to spend learning what you and your foes can bring to bear on the battlefield is staggering. But it's worth it. Skirmishes are an artful dictation with two (or more) minds jockeying for control, prodding weak points, breaking lines, and exploiting new fronts of attack. These fights don't get old.

Total War: Warhammer is an interlocking network of smart decisions. Integrating the Warhammer universe with Total War's systems was the first of these.

Part of that comes from how distinct all of the main factions are. The Empire is a Roman-esque monolithic force. They're organized, effective generalists. Bretonnians, an Arthurian band of humans, use pegasi and holy lances to cleanse evil. The Greenskins pull from Warhammer's own brand of classic fantasy orcs and goblins. Silly, obnoxious, and blood-thirsty, they come with complex internal politics. If you're not waging enough war, measured by a stat called "fightiness," other factions will sprout and make with the killing that you haven't.

Vampire Counts are a genuine undead faction. They bolster their lines by draining life from others and reviving the dead from massive battles. They can swarm the field with countless warriors and can even raise more midway through a bout. In exchange, their units usually fall apart. They will never run in fear, though; instead, they crumble as their will to press on after death fades. Dwarfs are their opposite, with heavily armored and armed troops. They pull in staunch defenders that will hold a battle line long enough for their enemies to be ripped to shreds with machine guns and cannon fire.

Like its tabletop namesake, Total War: Warhammer balances these disparate forces well. Each faction has a bevy of gameplay options that mesh, but there is no one right way to play--leaning into their strengths and mixing it up with the occasional oddball tactic works here. That's supported with magic, which can turn the tide of all kinds of fights. From chasing down an opposing lord and sapping his life with a Vampiric curse to causing an enemy unit to chafe and itch, magic augments formations and movements and only ever broadens your scope of tactical choices.

Because most magic users are lords and heroes, this also means your leaders play a critical role in battle. They can often handle entire battalions on their own, and when you lose one, it's much more akin to losing a queen in chess than a beefed-up soldier. While protecting a lord was important in prior games, now it's vital, and maneuvers tend to reflect that. Because of their strength, it's advantageous to have them at or very near the front lines. So you're faced with a choice in how you protect the lord and maximize his potential without risking a loss.

That, in turn, influences your other choices. As the Vampires, do you want to take ethereal cavalry and press against enemy lines thereby leaving your often less-than-mobile lord undefended? Or, based on the spells you've taken to battle, will you charge in with your leader, summon a few squadrons of zombies to hold your foe, and sweep with your support units? Your choices are augmented and modified by everything else at play--such as the terrain, which you can use for surprise attacks--as well as the minutiae of your foe's plans. Everything matters, and every choice has an impact.

Campaigns throw even more variables into that mix. Like previous Total War games, you can take command of a country and balance your strategies (economic, cultural, etc.) and your tactics (individual battles). Here things go from beautifully intricate to elaborate master stroke.

Each of the four major factions (that is Empire, Vampires, Greenskins, and Dwarfs) have their own campaigns with major battles, quests, and goals. Unlike previous Total War games where you'd have a smattering of small distinctions to separate each group, these races are distinct. Vampires are reviled by the living (for good reason) and have a hard time with diplomacy. To survive and remain stable, they have to poison and corrupt the land. Dwarfs and Greenskins can travel underground, and have constructed settlements that only they can capture.

The Empire is all about forming tight diplomatic bonds and working together with the other nations of men. Collectively, each of these groups is preparing for the coming Chaos--an absolute evil corrupting force that marches from the north. The Warriors of Chaos have some of the most powerful and devastating units. They also spread their own corrupting force, which can, on its own, cause rebellion and terror in living and unliving empires alike.

Again, each of these pieces works together and helps texture the overarching narrative. At first, these races push their own petty agenda. But as the Game of Thrones-y threat grows in the north, you can try to band together with the others and hold off the impending invasion. At the same time, you'll have proximal, race-dependent goals for victory, which strain how you'll manage these larger threats. Vampires, for example, not only have to help stop the Chaotic onslaught, but also conquer the Empire and spread their vampirism. And holding off one monstrous, powerful foe while chipping away at your so-called allies is no easy task. As the campaign progresses, you'll have to manage multiple conflicts on many fronts, putting your skills to the test.

Taken together, the campaign is brilliant insofar as it forces your hand and pushes you to take bigger risks, which, in turn, taxes your abilities as a tactician. As with many similar games, armies require upkeep, but in Total War: Warhammer, many of these are expensive. It's often more advantageous to build up rather than out. You can fortify and hold, but after a while, you'll need to start pushing back. Doing that means pulling soldiers away from your main settlements, opening up holes in your defenses that other races will be quick to exploit. Managing that conflict becomes a core concern in the late game, and it's a stellar way to test your mastery of your race's key traits.

The campaign is brilliant ... it forces your hand and pushes you to take bigger risks, which, in turn, taxes your abilities as a tactician

Total War: Warhammer is an interlocking network of smart decisions. Integrating the Warhammer universe with Total War's systems was the first. Massive battles are more challenging because of the addition of magic and flying units, which can flank and break battle lines if you're not attentive. New brands of artillery and different types of units are engaging and keep you changing up your approach. Total War: Warhammer has also seen a massive upgrade to its AI. Where before you might see a AI opponent rush you when you had strong defensive position, now the CPU will employ advanced flanking maneuvers, or use cavalry to pull away key defenders.

Audio design too has picked up an interesting overhaul. The Total War series has always had excellent sound effects that help sell the scope of its battles--especially with a base heavy system and a camera zoomed down to the troop level. But here it’s even more noteworthy because of the fantasy elements at play. We know what a Roman gladius striking a rawhide shield sounds like. We can create that sound here in the real-world. But what about Dwarfen organ guns? What about the off-kilter shuffle of Orcish armor? There’s no proper equivalent, and that goes for the Vampire Count's monstrosities and the demons that form the ranks of the Warriors of Chaos. In every case, these combatants sound glorious.

Everything here hasn't just been improved, it's been damn near mastered. Total War has always been about balance--between strategy and tactics, realism and engaging play. Warhammer's characters, its history, and its creativity is a shot in the arm for a series. My complaints from a few years ago with Total War II's camera still hold. When pulling the camera out to get a better view, you can’t go very far before the game switches to a full overhead view. That be somewhat troublesome and limit how much of any give battle you can see at once, but it’s a minor frustration.

When you're in the middle of a siege and you're coordinating an assault with a friend, Total War: Warhammer approaches perfection. You’ll be tested on all fronts and asked to manage complex battles with broad, nuanced outcomes. Every system and piece feeds into others, and your choices make all the difference. It's a triumph of real-time strategy design, and the best the Total War series has ever been.

Techland, developers of Dead Island and Dying Light, are currently working on two new games.

According to Eurogamer, one of these games will be a brand new IP developed in Warsaw, and it'll be an open world game with RPG elements. Much like previous Techland games, it will have co-op multiplayer as well as single player.

EG asked Techland CEO Paweł Marchewka about the possibility of Dead Island 2, to which he replied "No...We had a talk about it but I think Dying Light and

Dying Light 2 would be games which are..."

"The Dying Light brand is more important to us," said PR manager Anna Lada-Grodzicka.

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Daniel Craig has reportedly turned down £68 million (approximately $99 million) to play James Bond in two more movies.

According to the Daily Mail's sources, Craig has said he is "done" playing Bond, despite MGM offering the huge sum for him to return for two more films beyond Spectre, including endorsements, profit shares and even a co-producer credit.

Craig has reportedly earned £38 million total for the four Bond films he has made so far.

Last year, Craig said he'd rather "slash my wrists" than play Bond again, but added that "If I did another Bond movie, it would only be for the money." Apparently, even that wasn't enough.

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The CW have announced their fall schedule and it seems Supergirl, while switching networks, will still be found in a familiar place - the series will air Monday nights at 8:00pm on the CW, the same timeslot the show had on CBS this past year.

With Legends of Tomorrow again airing Thursdays at 8:00pm in the fall (Season 1 was held for midseason), this means Monday, Tuesday, Wednesday and Thursday all kick off with a Greg Berlanti-produced DC Comics series, including The Flash on Tuesdays and Arrow on Wednesdays.

Those latter two series will be used to launch two new shows. On Tuesdays, The Flash will lead into the new (possibly apocalyptic!) romantic comedy, No Tomorrow, while Arrow will be used to launch Frequency, an adaptation of the movie of the same name. Meanwhile, Supernatural (now in Season 12) will move to Thursdays, after Legends of Tomorrow, while Crazy Ex-Girlfriend will air Fridays after The Vampire Diaries.

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It hasn't taken very long for speedrunners to start finding time-saving tricks for Doom.

Runner DraQu (thanks VG24/7) has achieved the world record Doom run, coming in at 1:29:58. However he says "the start of the run was bad and some fights were slow. Will be improved!"

Doom came out last week, and already speedrunners have found a few glitches that shave precious seconds off their times.

It's not just new games getting new records though. Last month Super Mario Bros. got a new world record of under five minutes. Also make sure to check out these 11 amazing speedruns from charity event Awesome Games Done Quick earlier this year.

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With DC's Rebirth line-wide comic relaunch approaching in June, many characters are getting a shake-up, and now it looks like we might have our first look at the new Joker. Artist Rafael Albuquerque revealed his retailer variant for Batman #1 on Instagram and it's not unlike Jared Leto's Joker from the upcoming Suicide Squad movie.

Batman #1 Fried Pie Comics variant cover by Rafael Albuquerque

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