Super Mario Maker takes the intense creativity that Nintendo games have exuded for the past 30 years, and places that power of imagination into the hands of us players. Not since Mario Paint back in 1992 has Nintendo allowed us to express ourselves so actively. But in that impressive creative suite comes the ability to mold some of the most devilish challenges ever seen in a Mario game, which was evident in the handful of Nintendo World Championship levels we (barely) survived at Comic-Con 2015.

I love the way that swapping between the four aesthetics (Super Mario Bros., Super Mario Bros. 3, Super Mario World, and New Super Mario Bros.) doesn’t just change the look of your levels, but the entire physics system. Flick the SMB switch, and Mario will control using the iconic sense of inertia that he had back in the ‘80s. Toggle over to World, and you suddenly have the ability to do a spin jump and break certain blocks beneath you. Swap over the New SMB, and you’ll be able to wall jump through the levels.

Continue reading…

Every day hundreds of new apps make their debut on the App Store, and hundreds more are updated or reduced in price. We have sifted through the noise and highlighted those select few that might be worth your attention.

Note: The prices and deals compiled below are accurate at the time we published this story, but all are subject to change.

Magic Duels: Origins – (Freemium)

Wizards of the Coast presents a digital version of their mega-popular TCG Magic: The Gathering once again, but this time they've cut-and-pasted the pricing structure of Hearthstone. If you're patient, you can gather all the cards for free! (Otherwise you can buy boosters right away.)

Continue reading…

Nobody knew what to expect from the Open Road Films panel in Hall H at San Diego Comic-Con. The official listing was left mysteriously blank, with no clue as to what was being presented. But attendees got a huge surprise Thursday morning when a bandana-clad Bill Murray walked from the back of the room to the front of the stage as "Smoke on the Water" blared over the speakers.

Murray, who made his first-ever appearance at SDCC this year, was there to promote his new movie Rock the Kasbah. Of course, the actor has done many movies that would have been perfect for Hall H, so why now? "I've done some good

," Murray said, which was met with thunderous applause, "and I've done some maybe I should have been convicted for... but I fit right in here, I think."

Continue reading…

The Rainbow Six Siege closed beta is almost upon us, so IGN and Ubisoft have partnered up to give away more Rainbow Six Siege beta codes to make sure you get in on the action. To receive a free beta code on your choice of platforms and also enter for a chance to win an Xbox One and a Rainbow Six Siege Gold Edition, please go to http://go.ign.com/RRdKiSX.

Wargaming has announced the World of Tanks beta for Xbox One will run for two days this weekend: July 11-12.

Starting tomorrow, July 10, Xbox One owners can download the beta of the free-to-play multiplayer game. And by participating in the World of Tanks beta on Xbox One, players will get special bonuses, like extra experience points and the premium American tier 3 M22 Locust light tank (or 180,000 in silver for people who already have the vehicle).

That's not all, though. Wargaming is also promising that players who download World of Tanks on Xbox One before July 28 will get a free premium light tank, the American tier II T1E6-X1 with an exclusive shield emblem.

World of Tanks officially launches on Xbox One on July 28. For more on the free-to-play multiplayer game, be sure to check out IGN's preview on the new version of World of Tanks.

Continue reading…

If you try to move through the map too fast, you'll die. Go too slow? You'll die. Stray away from your team or stay too close to your buddy? Dead and dead. If you want to survive The Red Solstice, a top-down shooter with an emphasis on tactics, you need to adapt quickly to new situations. Even then, you should probably prepare yourself to die a lot.

The Red Solstice is not very welcoming to newcomers, especially if you try to jump directly into multiplayer (something the game itself advises against). Its core gameplay isn't too hard to grasp--it controls like a real-time strategy game in which you have only a single soldier or small handful of units. Right-clicking moves your soldier(s) to a location, left-clicking orders them to attack, each unit has a variety of skills (each with its own cooldowns), and you have a limited inventory of items. But there is a lot of depth beneath these basics, and if you try to treat The Red Solstice as a pure action game, you will struggle to succeed.

You can slow the action down to a crawl with a tap of the button, giving you some extra seconds to breathe and plan your next move. This slow-mo tactical mode is only available when playing solo, but making good use of it is imperative for single-player success. Sure, you could try running through the map with auto-aim turned on so all your squad members automatically pivot toward and attack incoming threats, but that's a recipe for inaccurate shots and wasted ammo, neither of which you can afford if you want to make it out alive.

One of the key elements of The Red Solstice is that it's class-based, and having a balanced squad of various classes is essential. This goes beyond the obvious "Take a medic with you so you can heal yourself" strategy in that each class has a variety of available skills that can make the difference between success and failure. Using the right support skill at the right time could save lives, and most classes have weaknesses that make it difficult for them to survive alone.

For instance, the long-range specialty of the Marksman might be great for picking off enemies from afar, but they'll struggle if swarmed by a large group at close range. On the other hand, your Heavy Support soldier might be tank-like when it comes to holding a position, but they won't be fast enough to efficiently run around the map checking for items or turning on power generators. A good team needs diversity.

The concept of a team should be stressed here. Even the best soldiers aren't likely to survive long alone, so sticking close to friendly units and using each class's unique abilities is vital. A good squad can plan ahead for a wave of enemies by setting up traps and turrets and making sure everybody has spare bullets. A lone wolf will get swarmed by enemies, run out of ammo, get backed into a corner, and die, not necessarily in that order.

Simply sticking together isn't all it takes to succeed, though, and repeated failures can be frustrating. This is especially true as you deal with the infrequent checkpoints in the single-player campaign (which often force you to take long walks and fight through big groups over and over again) or die as you realize for the first time that grenades and rockets inexplicably seem to go through walls. A lot of little problems like these can add up to an unpleasant experience, but they're easier to get through with friends.

The game's focus (and where it shines most) is its multiplayer. If controlling a small squad of units in the single-player game feels like StarCraft, the multiplayer feels more like Diablo. Multiplayer is a co-op experience for up to eight players in which you only control one character. As you play, you'll earn experience points so you can go up in both level and rank, allowing you to unlock new classes, abilities, and weapons to use in your next game.

There's a light story in the multiplayer campaign, but the bigger draw is that each time you play a map, the experience is unlikely to be the same as the last time you played. Beyond a selection of game variables the game's host can toggle before a match (tweaking things like the amount of time between enemy wave spawns or increasing the number of bosses you'll encounter), each deployment onto a map is somewhat randomized. The geometry of the location stays the same (though maps are large, so there is a lot to explore), but the enemies you'll encounter and the missions you'll receive are dynamic. These missions usually boil down to standard tasks like "kill all the enemies in this area" or "search this body for some information," but it's nice to have their order and location shuffled around every game so completing them doesn't become too rote.

Like most co-op multiplayer experiences, The Red Solstice is best with friends. If you have none (or you just want a challenge), you can play the game's "Survival" mode, which is essentially the multiplayer mode except you control a handful of AI units to make up for the missing human players. It can be fun, but there's a genuine sense of camaraderie when playing online with a solid group of four to eight people, and the solo experience can't replicate that.

If you try to treat The Red Solstice as a pure action game, you will struggle to succeed.

It can also be good to hop online and try to find some experienced players willing to show you the ropes, especially because you aren't likely to learn them all without some help. Even after playing through all 10 missions of the single-player campaign, I felt that the game never communicated some things to me--at least not well. For example, I did not know you could pick up (and then toss) exploding barrels until I saw another player do it online. This bit of knowledge would have made one specific section of a single-player mission, in which I needed to blow up some barricades, a bit less frustrating.

Getting to the center of the storm that is The Red Solstice isn't easy. A less-than-stellar tutorial and initial overload of information combined with a handful of quirks and bugs make it a game you have to stick with for a little while before you can fully appreciate its depth. If you can reach that point, though, and you have some friends to reach it with, this a storm you will successfully weather.

How important is a first impression? In the case of a video game, a poor one can push you into the arms of another. That doesn't mean that the new game isn't good, or even amazing--but you've now turned away from that game, or postponed your time with it. Perhaps you will return, and perhaps you won't; that initial glimpse stays with you and colors your perception.

Class-based, massive online shooter PlanetSide 2 on the PlayStation 4 doesn't make a great first impression, whether you are new to the game, or have transitioned from the PC version. If you're new, the lack of direction can make the first moments daunting. Tooltips give you some basics upon your first interactions with various terminals and menu screens, but there are terms and mechanics you must come to grips with, and the best way to do that is to undergo trial by fire. Granted, you can get your bearings in a reasonable amount of time, learning what certs are (not a tasty mint, in this particular case), discovering the proper use of a sunderer vehicle, and getting used to the many menus. But if you're new, it's natural to flounder. After all, PlanetSide 2 doesn't even tell you what its three factions stand for or why they fight; rather than engage in some basic world-building to draw you in, the game asks you to choose a side blindly. There's nothing to center you, no direction for your emotional compass to point.

If you're coming to the PS4 version from the PC version, there is no learning curve, but there are other obstacles to overcome. Many of them are minor--but there are enough of them to make you pause and ponder whether these issues shouldn't have been solved, given that PlanetSide 2 is approaching its three-year anniversary on the PC. For instance, it often takes menus several seconds to respond, making you wonder if a button press didn't register--and if you press it again, you could inadvertently queue up commands you didn't intend. (Several times, I have deployed vehicles I didn't want because the slow interface had me repeating a button press I presumed hadn't worked.) The visuals are also a notable downgrade, a sensible sacrifice to keep the frame rate stable; unfortunately, PlanetSide 2 occasionally stutters and hitches during the most intense battles, making the compromise sometimes hard to swallow.

On the other hand, PlanetSide 2's special moments are too special to let these encroaching shadows envelop the game in darkness. Yes, you would reasonably expect the full release to perform better, and to have swiped away the simple bugs that occasionally crawl into view--the way the reddish arcs that indicate you have been hit may not disappear until you log back in, the infrequent but irritating hard crashes, and so forth. But when the war heats up, there's nothing exactly like PlanetSide 2, a massively multiplayer shooter in every sense of the term. The world and its four primary continents (as well as the starting continent accessible only to newcomers) are open and persistent, inviting combatants to fight for control over the facilities scattered across the expanses.

You engage others by taking to the air and participating in dogfights, by roaring forward in tanks, and by joining fellow infantry and rushing into ground battle. You're hooked up with a squad as soon as you log in, and while my fellow players aren't nearly as vocal or as coordinated on the PS4 as they are on the PC, it's to PlanetSide 2's credit that you can get involved in warfare mere seconds after entering the world--and that you can understand what your objective is simply by observing the heads-up display and following others into contested zones.

And thus the battle rages ever on. You and other comrades hop into a transport vehicle called a sunderer, trundle towards your destination, and deploy near a facility, hoping that the terrain and architecture protect the vehicle from any keen-eyed heavy troops nearby. (A few rockets and homing missiles can quickly turn a sunderer to scrap, particularly if there are no engineers on hand to repair it.) Once deployed, the sunderer serves as your base of operations as well as a spawn point, ensuring that you and your squad never spawn too far from battle after death. From here, PlanetSide 2 becomes a veritable series of controlled detonations, with the swamps of the continent Hossin and the Esamirian tundra lighting up with artillery and laser fire--but never devolving into an incomprehensible mess off aimless firefights.

The pace of battle changes depending on where the struggle occurs. A base nestled in the hills gives rise to clever sniping and rivers of infantry that participate in a tug of war as one faction pushes upwards, and the other streams downwards to stop it. Outcroppings, rolling hills, and rising towers break up your line of sight from every side, forcing you to be aware of potentially vulnerabilities in all directions. A flat approach, on the other hand, paves the way for a daunting rumble of tanks flowing as one unit towards the contested base. Tanks have a nice heft to them, making it fun to roll over hills and launch artillery at oncoming vehicles. On the flipside, launching a missile into one of those tanks, watching it explode, and hearing that rewarding audio tinkle that alerts you to experience earned is a consistent treat.

You would reasonable expect the full release to perform better, and to have swiped away the simple bugs that occasionally crawl into view.

As with most video game wars, your success is never assured, and with loss comes frustration: the frustration of being gunned down by an infiltrator equipped with a bolt-action rifle as you sprint from one doorway to another, the frustration of shooting a teammate as he crosses your path just as you begin firing at the enemy, the frustration of hearing the voiceover explain for the umpteenth time that you shouldn't shoot friendlies. (Thanks, repetitive narrator-man.) Death is rarely an annoyance in and of itself, however. Even if you frequently fall, engagements are too big for you to feel as if you have singlehandedly let down your teammates. If you only rack up a few kill assists in between spawns, there's still a sense of accomplishment. When there's madness in all directions, who can say whether the bullets you landed didn't divert the winds of conflict?

Not every moment you spend in PlanetSide 2 is in the midst of a massive firefight, however. There are uneventful stretches in which you and your squad capture facilities with little resistance, or amble ahead in tanks for many minutes on end, wishing there was something to shoot. Back at your faction's primary base, you might spend some time deciding how to spend the certification points you've earned during your hours and days of battle. This is your primary currency, and as is the case with so many free-to-play games, this currency accumulates slowly after the initial hours. When you feel vulnerable even when surrounded by the stolid armor of a lightning tank, it's only logical that you'd want to reinforce it. And when certs are slow to come, spending real-world money is a temptation.

I wouldn't call PlanetSide 2 "pay to win;" Too little rests on your individual performance for that moniker to be an apt one. Yet there are some conveniences that are difficult to resist, such as the ability to bypass login queues when you purchase a membership (that is, a paid subscription, which is $14.99 if you pay on a monthly basis). Given that queues are still frequent on some servers, that cost ends up feeling more like blackmail for an experience that should be a base-level expectation (playing as soon as you log in) rather than a premium perk.

Like so many big games with dozens of complex moving parts, your enjoyment of PlanetSide 2 on the PlayStation 4 rests on how forgiving you are of technical hiccups you would properly expect to be vanquished. As you play, the questions mount. "Why did that tank vanish into thin air after I fired my homing missile, and why did my missile then shoot into the sky?" "Why did my vehicle just sink through the geometry and explode?" "Does the view distance need to be this bad, even on a snowy continent?" You may never find answers--but you will temporarily forget you ever asked the questions when you and a squad of jump-pack-equipped light infantry swarm an enemy base, forcing the opposition onto the exterior platform where a friendly aircraft pilot guns them down with a laser cannon. At these moments, the troubles fade away, leaving only the frights and delights of planetary war.

Codemasters has announced a new, "long-term" partnership with FIA to bring the FIA World Rallycross Championship to Dirt Rally.

The "first stage" of the agreement will bring new RX modes and three new tracks – Holjes (Sweden), Lydden Hill (Great Britain) and, "in the near future", The Hell circuit (Norway) – to te racer.

There'll also be a selection of new RX Supercars, which can accelerate from 0-60mph in less than two seconds and can be used across three different game modes.

As with previous Dirt Rally updates, this content will roll out for free.

“From the outset we wanted Dirt Rally to be the ultimate off-road racer and to fulfill that vision we knew we had to include World RX," said Codemasters' Paul Coleman.

Continue reading…

July is a slow time for Nintendo systems, as evidenced by the lack of new 3DS games this week. Fortunately, the Wii U has a pretty big week, with seven new eShop games, Mario Tennis on Virtual Console, and a fantastic "epic" sale on a bunch of Nindie titles. If you're searching for a recommendation, you can't go wrong with Runner2, Guacamelee, or Shantae and Pirate's Curse. The one bone on 3DS is that Persona Q, the Etrian Odyssey-styled Persona game that came out on 3DS last year, is almost half off.

Mario Tennis ($9.99)

Mario's tennis career ground to a screeching halt following the 1995 release of Mario's Tennis on Virtual Boy. It took a while for the champ to hit the court again, and when he did, he brought some new friends. The 2000 Nintendo 64 game Mario Tennis is the debut of Waluigi, the now Mario sports regular. The game itself holds up pretty well, so if you want to get your tennis on before Mario Tennis: Ultra Smash, this is a great option. Also, if you bought it on Wii Virtual Console, you can upgrade to the Wii U version for $2.

Continue reading…

As is tradition, the Legendary booth kicked off San Diego Comic-Con's Preview Night with big offerings, including Warcraft character installations, smartphone-enabled VR demos and SDCC-exclusive Crimson Peak Mondo posters. Also on hand was Warcraft director Duncan Jones, who personally unveiled the life-size Orgrim and Doomhammer.

IGN was invited to attend Legendary's Preview Event at their booth on Wednesday and got a chance to speak with Jones about his upcoming fantasy epic (full video interview coming soon!), as well as test out the Legendary VR.

For the Horde!

Continue reading…