Bethesda has announced that Fallout 4 is coming to PlayStation 5 and Xbox Series X|S with an official next-generation update next year.

As part of the Fallout 25th Anniversary celebration, Bethesda released a blog post that announced the long-awaited free update that is also coming to PC.

Arriving eight years after Fallout 4 was first released, the update includes a performance mode that allows for higher frame rates, a quality mode for 4K graphics, plus bug fixes and more Creation Club content (Bethesda's official mod support).

The developer didn't reveal a specific release date or window for Fallout 4's next-gen update, nor did it give a full list of features, but it will also likely include console-specific upgrades such as the use of PlayStation 5's haptic feedback.

It may be the only "new" Fallout update for a while, at least officially, as Fallout 5 is likely years away as Bethesda won't release it until after the Elder Scrolls 6, which in turn is coming after 2023's Starfield.

The modding community is putting in work though, as Fallout 4's LC-sized mod, Fallout London, is due to be released in 2023. In our 9/10 review of the base game, IGN said: "An outstanding world, great crafting system, strong story and characters and more earn Fallout 4 a glowing endorsement."

Ryan Dinsdale is an IGN freelancer. He'll talk about The Witcher all day.

Beau DeMayo, a former producer and writer on The Witcher, has claimed that some writers on the Netflix series "actively disliked" Andrzej Sapkowski's books and CD Projekt Red's games.

As reported by The Direct, DeMayo recently participated in a Q&A on his Instagram Stories where he discussed his role as showrunner on the upcoming X-Men '97 Disney+ series. Speaking about how he assembled the production team for the project, he revealed that those involved "HAD to be a fan" of the material — because that hasn't always been his experience.

"I've been on show - namely Witcher - where some of the writers were not or actively disliked the books and games (even actively mocking the source material)," DeMayo explained. "It's a recipe for disaster and bad morale. Fandom as a litmus test checks egos, and makes all the long nights worth it. You have to respect the work before you're allowed to add to its legacy."

DeMayo served as a co-producer on two episodes of The Witcher's first season and penned another story in the eight-episode block before returning as a writer on the second episode of Season 2. He didn't mention any names and with several changes on the writing team each season, it's unclear who he is taking aim at and whether those people remain on board.

Showrunner Lauren Schmidt Hissrich originally underscored the importance of the books and the original short stories when crafting The Witcher for Netflix. "We're all big fans of the books," she said. "We're all big fans of the video games as well, but this is solely based on the books and that's really where we drew our inspiration from – starting with the short stories."

The team behind The Witcher have also previously spoken about the future direction of the show's planned seven seasons, and how the original novels will be the guiding light. Henry Cavill revealed his hopes for Season 3 to be loyal to the books "without too much in the way of diversions," especially when it comes to the relationships between the core characters.

The third season of the hit fantasy series will bring back Cavill's Geralt, Anya Chalotra's Yennefer, and Freya Allan's Ciri along with several new key players. The Witcher Season 3 is coming Summer 2023, while Blood Origin is out this December, with Minnie Driver joining the cast in a role that will be "pivotal" in connecting the prequel series to the main Witcher series.

Adele Ankers-Range is a freelance writer for IGN. Follow her on Twitter.

The first trailer for Ant-Man and the Wasp: Quantumania has finally been released, giving us our first glimpse at the MCU's villainous variant of Kang the Conqueror, and much more besides.

The new trailer shows off the set-up for the movie, with the Lang, Van Dyne and Pym families pulled into the Quantum Realm after setting up a "satellite for deep space, but quantum". From there, we see a lot of trippy imagery, from sci-fi civilizations to the giant version of Ant-Man being pulled apart... as Scott Lang watches.

But most importantly, we may be seeing two different versions of Kang - one who appears to want to help Scott Lang and co, and the other (much more blue) version of the character seemingly being the movie's main threat.

Kang was first introduced in Marvel's Loki series, which also ushered in the Marvel multiverse, and set the stage for multiple variants of Kang to appear and threaten to become the comics' Conqueror figure. Marvel boss Kevin Feige has called Quantumania "a direct line into Phase 5 and Kang Dynasty", referring to the first of two Avengers movies coming in 2025.

We didn't get to see the glimpse of MODOK that attendees of D23 got back in September, however. We'll probably get that in another trailer ahead of the movie's release on February 17 next year.

We also got a new poster for the movie today:

Marvel Studios’ #AntManAndTheWasp: Quantumania arrives 2.17.23. pic.twitter.com/4rk9YPYEqE

— Marvel Studios (@MarvelStudios) October 24, 2022

Joe Skrebels is IGN's Executive Editor of News. Follow him on Twitter. Have a tip for us? Want to discuss a possible story? Please send an email to newstips@ign.com.

Netflix and Wonderstorm have released a clip from the fourth season of its animated series, The Dragon Prince, arriving on the streaming giant on November 3, 2022.

Here's how Netflix describes Season 4: "Season 4 kicks off the next phase of The Dragon Prince saga, called 'Mystery of Aaravos.' This new multi-season arc will see the enigmatic Startouch elf, Aaravos, take center stage—staking his claim to the magical world of Xadia after centuries of careful planning."

IGN can exclusively reveal the clip from The Dragon Prince Season 4 in the video below or at the top of the page:

We spoke to co-creators and executive producers Aaron Ehasz and Justin Richmond about the upcoming season. One of the first things we noticed about Season 4 in the trailer is that Ezran (Sasha Rojen) appears to have aged a bit since we last saw him in Season 3.
"We always knew there was going to be a time skip after season three," Richmond told IGN. "I think as we started talking about what it looked after we finished season three, we needed to be more significant, especially because we knew it was going to take a little while to make the show and we wanted to match that. So after [Netflix] picked it up and stuff we're, 'Okay, it's been about two to three years.' So we tried to time it with that but also we knew there was going to be this big shift because we wanted to have major things happening in the world that we could then play off of. So you'll see, there's some stuff that you'll see that the world is significantly more advanced from the last time you saw the other side of the border and all that kind of stuff."

Another fascinating aspect regarding Season 4 is the addition of "Mystery of Aaravos" to the title. We wanted to know if the series will keep that title moving forward, or is this storyline specific to Season 4? While the creators wouldn't' reveal all of their cards on this question, they did shine some light on what we can expect in future seasons.

"Because the story's going to unfold as it does and we don't want to reveal what our plans are but yes, the saga is escalating and evolving and the arc of the Mystery of Aaravos is a culmination," Ehasz explained. "It's a culmination of history. So all these hints and things and all the events that we knew kind of contextualized seasons one through three, so many of them were set into play by this being and now we're starting to understand who they are, why they did what they did and that they're quite on the cusp of reentering history in a big and powerful and scary way."

What did you think of the clip? Let us know in the comments and be sure to check out The Dragon Prince Season 4 when it debuts on Netflix, on November 3, 2022.

David Griffin is the Senior Editor, Features and Content Partnerships for IGN. Say hi on Twitter.

A professional photographer has captured a close-up image of an ant’s face, revealing its horrifying features in super high resolution just in time for Halloween.

In his 1944 play ‘No Exit’, the French philosopher Jean-Paul Satre wrote that “hell is other people”. He had clearly never seen an ant up close.

In an image captured by Lithuanian award winning photographer Dr. Eugenijus Kavaliauskus, the facial features of a carpenter ant were thrown into sharp relief, and let’s be honest, they look like they’ve been ripped straight out of a monster flick.

The portrait - which was shot with a Canon EOS R camera with a 65mm macro lense - was marked out as an image of distinction at the Nikon Small World Photomicrography Competition. At first glance, two malevolent, beady eyes seem to stare blankly out of the ridged and dented face, while a line of needle-like yellow teeth occupy the lower head above an alien jaw.

However, this horrifying aspect is nothing more than an example of the human brain’s propensity to see faces - or some other meaningful interpretation - in pretty much anything, even when there is none. This phenomenon is known as pareidolia.

In reality, the yellow teeth are nothing more than hairs that naturally form around an ant’s mandibles. The beady eyes meanwhile are the sockets where antenna connect to the head. One of the carpenter ant’s real compound eyes can be seen disappearing into the dark vignette at the top right of the image.

With this in mind the portrait loses a lot of its horror, which is good, because recently a team of scientists from the University of Hong Kong estimated how many ants there likely are populating the world - and the number is staggering.

The study, which has been published in the journal Proceedings of the National Academy of Sciences, analyzed a collection of 489 earlier studies to create its insect census. It concluded that there are roughly 20 quadrillion (20,000,000,000,000,000) ants scheming away beneath our feet. The researchers also estimated that the ants have a combined biomass the equivalent to around 20 percent of the human race, however, they made no comment on who would likely win between the ant hordes and humanity in a fair fight.

Stay tuned to IGN’s science page for more weird science.

Anthony Wood is a freelance science writer for IGN

Image credit: Dr. Eugenijus Kavaliauskus

House of the Dragon's second season may not arrive until 2024, but showrunner Ryan Condal has said that it will feel much more like the "middle run of Game of Thrones" because it will have "been earned" from spending so much time with the characters in the slower-paced first season.

Speaking to The Sunday Times ahead of the Season 1 finale of House of the Dragon, Condal promised that Season 2 will have "more blood" and will "get to the spectacle." However, he is proud of how the first season took its time to fully establish these characters throughout their lives.

“We will get to the spectacle,” Condal said. “But you have to understand these people’s complexities before they’re thrown into war. Series two will hit the rhythms people came to expect from the middle run of Game of Thrones, but it will have been earned, and viewers will feel the tragedies because we put the work in.”

Condal also spoke on one of the biggest complaints by some of the fanbase - the lack of "the gift of Tyrion Lannister." Condal and the team want these moments of levity between those of great sorrow, but he also doesn't want to just retread what came before and take the easy route. That being said, he does believe that Matt Smith's Daemon does fill some of that void left by Tyrion.

"Any of that,” Condal says of trying to create a Tyrion-like character or one even like Bronn, “would have just read as, ‘Oh, they’re doing their Tyrion — it’s pandering’. Now we’re writing series two, though, we’re finding natural pathways into moments of levity in this really dark drama. Also, I think Matt Smith is very funny. If there is one character that does not care, it is Daemon.”

For more, check out our review of the penultimate episode of House of the Dragon and how a shocking moment in the series mirrors Game of Thrones' greatest sin.

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Adam Bankhurst is a news writer for IGN. You can follow him on Twitter @AdamBankhurst and on Twitch.

Steam has once again broken its own concurrent record as this weekend saw over 30 million users online at one time.

As revealed by SteamDB, 30,032,005 players were online on Sunday, October 23, and the top five games being played consisted of Counter-Strike: Global Offensive, Dota 2, Lost Ark, Apex Legends, and PUBG: Battlegrounds. Not all 30 million players were in a game, as many could have been browsing the store, chatting in communities, and more.

Counter-Strike was far and away the winner of the weekend with a peak of around 1.05 million concurrent players. Dota 2's peak was around 750,000, and then there was a decent dropoff as the next highest was PUBG's 442,148 peak.

Since the onset of the COVID-19 pandemic, Steam has seen it record of concurrent users get broken over and over again. Over Thanksgiving weekend 2021, the peak was at 27.3 million and a few months later it saw that number reach 28 million. It has fluctuated between those numbers, but this is the first time it has crossed the 30 million mark.

With Steam Decks becoming more readily available and Cyberpunk 2077 having a bit of a renaissance where over one million players were jumping into Night City each day, Steam has had some high highs these past few months.

This record may not stand for long, as the holiday season and Steam's upcoming Autumn Sale (November 22-29) and Winter Sale (December 22 - January 5) will undoubtedly draw even more players to the platform.

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Adam Bankhurst is a news writer for IGN. You can follow him on Twitter @AdamBankhurst and on Twitch.

While it remains to be seen what his true impact on the DCEU will be, Dwayne Johnson has, as he has been saying for a long time now, challenged the "hierarchy of power" at the movies with Black Adam and its strong $140 million global weekend box office victory.

As reported by Box Office Mojo, Black Adam earned $67 million at the domestic box office and another $73 million overseas for a total of $140 million. This was enough to pass Shazam!'s $53.5 million opening and fall right beside Aquaman's $67.8 million.

Black Adam cost $195 million to produce before marketing, so it still has a bit of a way to go to recoup its costs. One milestone it has accomplished, however, is becoming Johnson's best opening aside from The Mummy Returns' $68.1 million and various Fast & Furious films. As a leading star in a film, this is the best opening he's had.

In our Black Adam review, we said that it "overindulges to the point where it’s hard to enjoy the DC anti-hero’s debut. It’s packed with undeveloped characters and an excessive number of repetitive action scenes, to the point where its half-baked debate on what it means to be a hero is lost in all the noise."

Ticket to Paradise, the weekend's other new film, took second place with a global opening of $96.6 million. The film starring Julia Roberts and George Clooney brought in $16.3 million domestically and $80.2 million internationally.

Smile took third place with $8.3 million and was followed by Halloween Ends' $8 million and Lyle, Lyle, Crocodile's $4.2 million.

For more on Black Adam, check out our explainer of the ending, what that cameo means for the DCEU, and our deep dive into the history of Sabbac.

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Adam Bankhurst is a news writer for IGN. You can follow him on Twitter @AdamBankhurst and on Twitch.

MAJOR Spoilers ahead for Black Adam!

Dwayne Johnson and cinematographer Lawrence Sher have revealed how that Black Adam cameo came to be and was filmed in secret.

As reported by THR, the long-awaited return of Henry Cavill as Superman during the post-credits scene of Black Adam was not a moment the team behind the film had been planning since the beginning, but was something that was added near the end during reshoots.

While the Superman cameo excited the team, it was initially shot down by then-DC Films president Walter Hamada as he had his own plan for what Superman's future would be, and it included introducing a Black Superman.

This would not stop Johnson, however, as he went around Hamada and spoke to Warner Bros. Pictures heads Michael De Luca and Pam Abdy to make it happen, and they were both on his side. The pair gave the team a tight deadline, but that didn't stop them from securing Cavill and making the cameo happen.

Speaking on THR's Behind the Screen podcast, Sher discussed how the scene was shot and that work began on making the cameo happen even before the whole thing was approved. The first step, according to Sher, was to film Johnson's part of the post-credits scene and then try to make Cavill happen.

“If we can get Henry to be in it, then we’ll figure that out on a future date,” Sher said.

Sher said that Black Adam director Jaume Collet-Serra wanted to just use the throne room set that was already in place, create "something for Dwayne to walk into," and then shoot it in "like 10 minutes."

That scene was the last scene shot on the last day of additional photography, and the team then created the second part of the scene with "a [Superman] body double and a version of John Williams’ 1978 Superman theme they found on Google." Superman's face was never shown, and the focus was instead on his iconic emblem.

“Watching an actor come out of a full silhouette into that, was actually goosebumps. ‘Wow, this is 100 percent going to work. Now they need to figure out if they can get the guy with the head to be there,’” Sher recalls.

The team showed their work in progress to a test audience, and "it played gangbusters." It inspired them even more to get Cavill to return and the rest, as they say, is history.

“There are certain people that are iconic as the characters that they play, and [Cavill is] really one of them,” says Sher.

For more, check out our review of Black Adam, our explainer of the ending, what Cavill's cameo means for the DCEU, and our deep dive into the history of Sabbac.

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Adam Bankhurst is a news writer for IGN. You can follow him on Twitter @AdamBankhurst and on Twitch.

Director Tim Burton has shared why his live-action remake of Dumbo will probably be the last film he will ever make for Disney.

As reported by Deadline, Burton was speaking about this topic at a press conference at the Lumière Festival in Lyon, France, where he received the Prix Lumière award. For those unfamiliar, this award recognizes someone in the world of film for their contributions to the medium.

Burton's career began at Disney after the company noticed him for his work on Stalk of the Celery Monster at CalArts. He began with an animator's apprenticeship and worked his way to become one of the most celebrated directors for Disney and beyond. However, it appears his time working on Dumbo made him realize he just may be done with Disney altogether.

"My history is that I started out there," Burton said. "I was hired and fired like several times throughout my career there. The thing about Dumbo, is that’s why I think my days with Disney are done, I realized that I was Dumbo, that I was working in this horrible big circus and I needed to escape. That movie is quite autobiographical at a certain level."

Burton also discussed how Disney has become a bit "homogenized" and that, most likely, not even an invitation to create a film in the MCU would be enough to bring him back, as he can "only deal with one universe," and can't "deal with a multi-universe.”

"It’s gotten to be very homogenized, very consolidated," Burton said of Disney. "There’s less room for different types of things."

We called Burton's Dumbo "mediocre" in our review, saying, "this routine remake doesn't manage to recapture the surreal strangeness of the original Disney classic or elevate the dated premise into something better.

While he may not be working with Disney for the foreseeable future, his fans will soon be able to see his work on Netflix's Wednesday, which premieres on November 23 and follows the character Wednesday Addams from The Addams Family.

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Adam Bankhurst is a news writer for IGN. You can follow him on Twitter @AdamBankhurst and on Twitch.