If you're looking to get caught up on all things Secret Wars ahead of Marvel's upcoming summer crossover, they have the box set for you. Assuming you have a lot of spare cash lying around, that is.

Marvel Reveals More Comics Spinning Out of Secret Wars

The Marvel Super Heroes Secret Wars: Battleworld Box Set is a collection of 11 different hardcover graphic novels that collect just about every story connected to the original Secret Wars, its sequel, Secret War, and various offshoots like Beyond! and Spider-Man and the Secret Wars. Each of these graphic novels features a new cover design unique to the box set, and the spines combine to form a Secret Wars montage image. Much like last year's "Famous Firsts" box set, these books will come packaged in an elaborate slipcase container. The set will also include a poster featuring painter Alex Ross' rendition of the cover to Secret Wars #1.

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During today's Mortal Kombat X livestream, NetherRealm revealed that gamers will be able to add Goro to their roster of fighters even if they didn't pre-order the game.

However, there's a catch. Whereas Goro is a free pre-order bonus, to pick him up later down the road it will cost you. Answering questions from fans during the stream, the NetherRealms team confirmed that everyone will eventually have access to Goro, but "he's free if you pre-order... not so free if you don't."

The addition of Goro as a pre-order bonus was announced back in September when Mortal Kombat X's April 14 release date was revealed. The four-armed brawler made his debut in the first Mortal Kombat as Shang-Tsung's sub-boss. Strangely, his first appearance as a playable character was on the Game Boy port of Mortal Kombat.

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If you wanted a Marvel or Star Wars-sized expanded Transformers movie-verse then you're in luck.

According to Deadline, Paramount Pictures is negotiating with writer-director-producer Akiva Goldsman "to work with franchise director Michael Bay, exec producer Steven Spielberg and producer Lorenzo di Bonaventura to organize a 'writer’s room' that will incubate ideas for a potential multi-part Transformers sequel, and come up with potential spinoff films based on the billion-dollar franchise culled from the Hasbro toy line."

The site claims they "don’t get the impression the deal being negotiated calls for him to write one of these films. His will be an oversight role to secure writers and hatch the movies they’ll script. This is happening very quickly."

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Built as a demonstration project for Unity, computer science student Erik Roystan Ross has re-created the Bob-Omb Battlefield level from Super Mario 64.

It's been re-tooled in a variety of ways, including updated graphics and swapping out items such as red coins and the Wing Cap for coin blocks and springs. You can play it in-browser or download it to your desktop through his blog.

Ross does not plan to pursue this project further and encourages people to use it as they like so long as it is not for profit.

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It's been about four months since I've spent quality time in the world of Thedas--nearly 70 hours' worth of it. This week's content release for Dragon Age: Inquisition, Jaws of Hakkon, may have jump started my engine, reminding me what I love most about the core game: the sense of wonder, the thematic richness, a fantastic sense of place and personality. The new adventure becomes available in the second act of the game, taking your Inquisitor to the Frostback Basin, the foothills and valley near the mountain range at the southern end of Thedas. You've been called in to provide support for an archaeological survey of the region that is searching for the final resting place of the world's last Inquisitor, Ameridan. While piecing together the mystery of Ameridan, you'll have to navigate the region's complex geography and even more complex sociopolitical relationships.

The Frostback Basin is a deceptively big zone. What seems easily conquerable on the map screen is actually a sizable and intricate mix of environments. Foothills open up into plateaus, which feature deep, dangerous pits. A lakeshore runs into the bubbling, muddy shallows of the basin, and those turn into misty swamplands and damp jungles. It's all brought to life with vibrant color and fresh ambient sounds. The Frostback Basin feels distinct from the game's other zones, and it's mostly a joy to explore.

I say "mostly," because sometimes it feels like BioWare is trying to stretch out the available content in Jaws of Hakkon. Over the course of eight hours in the Frostback Basin, five different missions make you "follow the trail" across territory you've already explored thoroughly in the course of doing other missions. Most egregious is a mission that sends you around to flip a number of switches scattered across the northern half of the zone. For the previous six hours of play, these switches had been visible but inactive, and I knew that they'd send me back eventually. They did. This decision is particularly strange because Hakkon doesn't need to be stretched in any way. The Frostback Basin is packed with all of the elements that made me love Inquisition to begin with: smart characterization, interesting combat encounters, and carefully written lore.

The Frostback Basin is home to two rival tribes of the Avvar, a human society that briefly pops up early on in Inquisition. The development of these groups (and of the region's history in general) is the high point of Hakkon, and you'll get the most out of this DLC if you dig into the lore about these people and their culture and religion. Dragon Age has always been at its best when the stories it tells are multifaceted and mysterious, and the same is true here: Religious iconography blurs together; magical traditions are at once remarkably similar and fundamentally different; and the final, "true" history is often left unknown.

Best of all, the Avvar work to break apart the classic binaries that show up throughout the Dragon Age series. They share the Elven relationship to nature, but are human. They're human, but don't belong to any of the major political powers. They're deeply spiritual, but also incredibly practical. They have a strict system to govern the use of magic, but use terms and concepts to explain the magical world that are entirely different than those used by the Templars and Circle of Mages. All of this works to complicate the world of Thedas by providing yet another potential perspective to consider.

This makes it extra frustrating that so little of Jaws of Hakkon shares the cinematic sheen of the rest of Inquisition. Most other zones in the world of Thedas have a mix of two different sorts of quests. Firstly, there are the little, MMOG-style missions you complete for this or that character: kill ten bears, or recover a missing satchel, or perform some other small task. Secondly, there are the major story missions that take you out of the third-person perspective and into a cutscene view, where dramatic music supports characters who emote and animate as the plot unfolds. In Hakkon, only the very beginning and very end of the main questline offer this second sort of storytelling. Throughout the rest of my eight hours, I watched as world-shaking information was delivered without any pomp or luster.

If you told me last week that this would bother me, I'd tell you that you'd be absolutely wrong. But here I am, missing the intimate close-ups and the sweeping vistas. (Maybe this shouldn't be be surprising: Imagine an episode of Game of Thrones that never shows the detail of a character's face.) Over the course of the previous 70 hours, Dragon Age: Inquisition had quietly taught me to expect a certain rhythm: I'd meander around a zone until I was ready to commit to one of the many "big" story events. There was a sort of storytelling grammar at work, and by reducing the use of that grammar, Hakkon rarely feels as substantial as it should. Thankfully, the final hour or so of Hakkon does utilize those storytelling tools to great effect, and it joins them with some new, unique mechanics in a series of major combat encounters that build momentum and velocity until an explosive climax.

Though I wish that Jaws of Hakkon was less bloated, and though I miss the cinematic flair of the rest of Dragon Age: Inquisition, I know that in a month I'll have forgotten these quibbles. Instead, I'll remember my time spent in Frostback Basin fondly. I'll remember the sharp wit of Svarah Sun-Hair, the leader of the local Avvar clan. I'll remember the holy symbols that blur the line between competing faiths. I'll remember the mist and the mountains and the sun's light through the trees. I'll remember confronting legendary foes, and the time I got to spend with some of my favorite characters in video games.

It's been about four months since I've spent quality time in the world of Thedas--nearly 70 hours' worth of it. This week's content release for Dragon Age: Inquisition, Jaws of Hakkon, may have jump started my engine, reminding me what I love most about the core game: the sense of wonder, the thematic richness, a fantastic sense of place and personality. The new adventure becomes available in the second act of the game, taking your Inquisitor to the Frostback Basin, the foothills and valley near the mountain range at the southern end of Thedas. You've been called in to provide support for an archaeological survey of the region that is searching for the final resting place of the world's last Inquisitor, Ameridan. While piecing together the mystery of Ameridan, you'll have to navigate the region's complex geography and even more complex sociopolitical relationships.

The Frostback Basin is a deceptively big zone. What seems easily conquerable on the map screen is actually a sizable and intricate mix of environments. Foothills open up into plateaus, which feature deep, dangerous pits. A lakeshore runs into the bubbling, muddy shallows of the basin, and those turn into misty swamplands and damp jungles. It's all brought to life with vibrant color and fresh ambient sounds. The Frostback Basin feels distinct from the game's other zones, and it's mostly a joy to explore.

I say "mostly," because sometimes it feels like BioWare is trying to stretch out the available content in Jaws of Hakkon. Over the course of eight hours in the Frostback Basin, five different missions make you "follow the trail" across territory you've already explored thoroughly in the course of doing other missions. Most egregious is a mission that sends you around to flip a number of switches scattered across the northern half of the zone. For the previous six hours of play, these switches had been visible but inactive, and I knew that they'd send me back eventually. They did. This decision is particularly strange because Hakkon doesn't need to be stretched in any way. The Frostback Basin is packed with all of the elements that made me love Inquisition to begin with: smart characterization, interesting combat encounters, and carefully written lore.

The Frostback Basin is home to two rival tribes of the Avvar, a human society that briefly pops up early on in Inquisition. The development of these groups (and of the region's history in general) is the high point of Hakkon, and you'll get the most out of this DLC if you dig into the lore about these people and their culture and religion. Dragon Age has always been at its best when the stories it tells are multifaceted and mysterious, and the same is true here: Religious iconography blurs together; magical traditions are at once remarkably similar and fundamentally different; and the final, "true" history is often left unknown.

Best of all, the Avvar work to break apart the classic binaries that show up throughout the Dragon Age series. They share the Elven relationship to nature, but are human. They're human, but don't belong to any of the major political powers. They're deeply spiritual, but also incredibly practical. They have a strict system to govern the use of magic, but use terms and concepts to explain the magical world that are entirely different than those used by the Templars and Circle of Mages. All of this works to complicate the world of Thedas by providing yet another potential perspective to consider.

This makes it extra frustrating that so little of Jaws of Hakkon shares the cinematic sheen of the rest of Inquisition. Most other zones in the world of Thedas have a mix of two different sorts of quests. Firstly, there are the little, MMOG-style missions you complete for this or that character: kill ten bears, or recover a missing satchel, or perform some other small task. Secondly, there are the major story missions that take you out of the third-person perspective and into a cutscene view, where dramatic music supports characters who emote and animate as the plot unfolds. In Hakkon, only the very beginning and very end of the main questline offer this second sort of storytelling. Throughout the rest of my eight hours, I watched as world-shaking information was delivered without any pomp or luster.

If you told me last week that this would bother me, I'd tell you that you'd be absolutely wrong. But here I am, missing the intimate close-ups and the sweeping vistas. (Maybe this shouldn't be be surprising: Imagine an episode of Game of Thrones that never shows the detail of a character's face.) Over the course of the previous 70 hours, Dragon Age: Inquisition had quietly taught me to expect a certain rhythm: I'd meander around a zone until I was ready to commit to one of the many "big" story events. There was a sort of storytelling grammar at work, and by reducing the use of that grammar, Hakkon rarely feels as substantial as it should. Thankfully, the final hour or so of Hakkon does utilize those storytelling tools to great effect, and it joins them with some new, unique mechanics in a series of major combat encounters that build momentum and velocity until an explosive climax.

Though I wish that Jaws of Hakkon was less bloated, and though I miss the cinematic flair of the rest of Dragon Age: Inquisition, I know that in a month I'll have forgotten these quibbles. Instead, I'll remember my time spent in Frostback Basin fondly. I'll remember the sharp wit of Svarah Sun-Hair, the leader of the local Avvar clan. I'll remember the holy symbols that blur the line between competing faiths. I'll remember the mist and the mountains and the sun's light through the trees. I'll remember confronting legendary foes, and the time I got to spend with some of my favorite characters in video games.

Welcome back to IGN's Super Team Tournament 64! With your help, we're now much closer to determining the greatest fictional team in history.

After the tournament's explosive opening and this week's super brutal Round 2 we've seen several high-profile teams knocked out of contention, including The Fellowship of the Ring, The Autobots, and the Ghostbosters. The picks aren't getting any easier, however. The Stunning 16 kicks off right now!

Take a look at bracket as it stands today, and be sure to cast your votes for this round before 11:59 PM this Sunday, March 29:

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During today's live Mortal Kombat X stream, recently-revealed fighter Liu Kang's variations were shown off. Dragon's Fire, Flame Fist, and Duality variations were shown.

Liu Kang's Dragon's Fire variation was described as being close to the Liu Kang players are familiar with. Perhaps his most recognizable move is his bicycle kick. The Flame Fist variant replaces the bicycle kick with a multi-punch, jokingly referred to during the stream as the "bicycle punch."

The Dualist variant allows Liu Kang to switch stances from light and dark. His light fireball is slightly faster. Liu Kang's bone-snapping X-ray was also shown during the stream.

Yesterday a trailer appeared revealing Liu Kang would be a playable character in the upcoming game.

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Three guys start playing Bloodborne. One's finished Dark Souls, one played a bit, one ran away in fear of From Software. That pretty much sums up this week's podcast crew of Krupa, Gav, and Luke, who have all been spending the week exploring the dark and winding alleyways of Yharnam.

As always, we also trawl through the week's news, picking our favourite and not-so-favourite items of the past 7 days.

Download the podcast now to listen at your leisure or watch it up above, if you have the time. The decisions is pretty much up to you. You know what you've got on.

IGN UK Podcast #273: To the Manor Bloodborne - 131.8 MB (right click to save)

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NetherRealm Studios has announced a day one custom skin for Raiden in its upcoming fighting game Mortal Kombat X.

The studio revealed the news during today's live Twitch stream. In order to get the skin, you must be a member of the WB Play customer rewards service.

Check out Raiden's custom costume below.

Just yesterday, Liu Kang was revealed as the latest character to join the Mortal Kombat X roster.

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